An
EMF-Sponsored Youth Rally
The Youth
Conference held
in
Warsaw in November 2010 under the banner Wybory 2010 (‘Choices 2010’)
is a
cause of grave concern. Held under the auspices of four denominations,
all of which claim allegiance to the evangelical tradition, its main
organiser was a pastor serving a congregation in Żywiec, Dawid Kozioł.
Mr Kozioł is not, however, supported by his own congregation,
but
is a missionary supported by British Christians through the European
Missionary
Fellowship [website
currently down, text only version
of Google's cache].
Readers are invited to watch a video showing scenes from the conference, and are urged to consider whether what is seen may be held to be scriptural and spiritual worship, consonant with the words of Titus 2:11-12, consistent with fleeing fornication and exhorting dying men and women to repentance from this adulterous and sinful generation.
The band shown
in the
video uses the name Kawa.
Another
band which played at the conference was Exodus 15.
A
record of their performance may be seen in these photographs,
and also briefly in a second video of the
conference.
Exodus 15 have received fulsome praise from a respected Roman
Catholic source – the leading Roman Catholic weekly Niedziela (‘Sunday’)
– for their
contribution to ecumenical “new
evangelism”.
National youth
conferences
of this kind have been organised annually by Mr Kozioł since
at
least 2006, always following the same recipe. The ecumenical
openness of the artists is matched by that of many of the speakers. For
example, the 2009 event included a seminar on sex,
led by Baptist
pastor Zbigniew
Niemasik (yet
another former student of the FIEC’s man in Poland, Malcolm Clegg). On
18 January the same year, Mr Niemasik invited a
senior Jesuit
to preach at the church he pastors in Gdynia.
Father (Matthew 23:9) Żmudziński leads the
Eastern European
Division of the International
Jesuit Leadership Programme and
is Director of the Pedro
Arrupe
Formation Centre for Educational Leaders, a Jesuit body which
is
actively recruiting
missionaries to work in the UK.
Perhaps the
worst element
in this dreadful mixture is that which can be seen in the third and
final section of the second
video, to which reference has already been made. While it may
be
true that Mr Kozioł is not the author of this video, he most
certainly bears full responsibility, as organiser of the conference,
for the atmosphere in which the conference proceeded and for giving a
clear lead in terms of attitudes considered acceptable for its
participants. Is it wise for youth conferences to be used as a platform
for drawing attention to relationships in this way? What will be the
effect in the lives of the young people and the churches they represent
– is the rising generation of married couples in Polish churches to
consist of those which arose in an environment which so blatantly
refuses to deny ungodliness? How will it be possible for sincere young
believers to be sure of marrying only in the Lord, when friendships are
formed at conferences such as those organised by Mr Kozioł,
which
may have a form of godliness, but which, in fact, deny the power
thereof? British viewers may not realise the significance of the music
used to accompany this portion of the video. It is, in fact, a
rendering of the song Przecież
nie tak miało być (“But
it wasn’t supposed to be like this, I think I’ve gone crazy about you,
You’ve gone mad over me, You woke me up in the middle of the day, And
now I never want to sleep again ... In love, Spellbound”), popularised
by singers Edyta
Górniak and
Natalia Kukulska. Here is a video of Ms Kukulska performing the
song, and here is another of her hits, entitled Wierność
jest nudna (‘Faithfulness
is boring’). Perhaps in the next issue of Vision
for Europe Mr Kozioł
would like
to provide us with a translation of the lyrics.
On seeing the
videos
showing Kawa at Wybory 2010,
one respected Polish brother expressed the view that hip hop is a form
of music which is ideally suited to presenting the message of the
Gospel. Attentive viewers will, however, note that, even though Kawa
appear to be performing in English, it is difficult to discern a
presentation of Christ in their words. Is it possible that an art form
which has always been noted for its use of profanity, its graphic
descriptions of sex and violence and the rebellious and immoral
attitudes of so many of its leading proponents – an art form which
engenders the most
vile of sins –
can
be a useful carrier of the message of the Cross?
The image of
himself which
Mr Kozioł presents to his British supporters is strikingly
different from that which is evident to Christian workers on the ground
in Poland. In the July-Sept 2009 issue of Vision
of Europe,
for example, Mr Kozioł wrote with apparent passion about “our
unchanging God” and of “how important it is to invest wisely in the
young generation”. Of more importance, though, are the views of the EMF
and its supporting churches on this matter. An e-mail enquiry on this
subject, sent to EMF Director Daniel Webber, has gone unanswered. But
what about the supporting churches? Do they really see hip hop as a
legitimate medium for presentation of the claims of Christ? Are they
even aware that this turning of young people into the broad way that
leads to destruction is being done, not only in their name, but with
their money?